Here’s a startrail shot I finally got around to
editing. The foreground was shot around twilight to maximize depth of field and
to control the lantern brightness that the subject is holding. The stars were
then shot as it became dark. I used the internal intervelometer in the Nikon
D750 to fire off 100 shots which were combined in a startrail program. I love
how clean the images are with a foreground shot before hand. As long as the
scene isn’t too difficult with too many things cutting through the sky, this is
my preferred method to achieve solid foreground subjects when shooting astro.
No comments:
Post a Comment
Brandon Yoshizawa
B.A.Y | photography
Landscape and Wildlife photography
http://www.bay-photography.com/