Tuesday, July 7, 2015

4th of July in Los Angeles

Fireworks over Los Angeles, 4th of July


Here is one from the 4th. The goal with fireworks is to capture a nice set of bursts in a frame. To do this you don't want your shutter speed too short since you want to capture it from when it ignites all the way to the burst to get that nice trail, but you don't want it too long where you get multiple bursts in the same spot as it can look cluttered and can end up being too bright. It totally depends on the show but somewhere between 10-20 seconds usually works. The problem with capturing a single set of bursts is that you don't get the grand scale of the show, so an easy technique you can use is the "lighten" blend mode in photoshop. To make this work ensure your exposure is the same for each shot you take. Then during the show, fire off multiple shots capturing the bursts. When you review your images pick out a few that have nice sets of bursts scattered in the sky and not directly on top of each other. You then layer your photos on each other and change the blend mode on each layer from "normal" to "lighten". What this does is takes the color information from each pixel of the base and compares it to that chosen layer and applies the lighter color. You do this with every layer and all of your fireworks that you selected are now on your base image.
 

 The shot you see here is from Ascot Hills on the east side of LA. The city was already super hazy from the from all the pre-firework celebrations and I wanted to capture the essence of how many were actually being set off by the residence. I chose a 20 sec exposure as the fireworks were more scattered than you would get in an actual show so there weren't many overlapping in the same exact spot. Once blue hour hit I fired off multiple exposures until it faded. Once I got home I selected 8 images and used the technique above to get the image you see here.

If you are still with me, I hope you learned something. If you use a different technique, I would love to hear about it as well. 8 images stacked using the Nikon D750, Nikkor 70-200 @ 92mm, f/11, 20 sec, ISO-100
 

 

Sunday, July 5, 2015

Standing in the Wake - Manhattan Beach Pier

Surfer, Manhattan Beach sunset


Standing in the Wake 

What do you do when you are photographing an overshot location? For one always try shooting in the best light possible. You can shoot the same shot on different days and have it look completely different based on that alone. However I always try and add something else to my shot, whether it be an interesting foreground element or something else of interest. In this case, the surfer adds balance to the right side of the shot, with the pier on the left and the sunset right down the center. When I noticed that he was standing still for quite some time, I knew I wanted to get some nice water motion to go along with the shot so I composed and took a few longer exposures as the waves rolled in. Luckily he stood still and I was able to also capture an exposure for the sky. I then blended the two shots and the result is what you see here. You can always bring a model along but I find it to be more satisfying being a candid shot, your preference may vary.
 
Nikon D750, Nikkor 20mm 1.8, f/11, ISO-64, blend of 1/5 sec and 1/30 sec. 


www.bay-photography.com


Friday, July 3, 2015

Heaven's Gate - Palos Verdes

Sunset at high tide, Palos Verdes cave


Quite possibly my new favorite local image. Maybe it was the thrill of getting the shot, maybe it was that conditions lined up perfectly, maybe a bit of both. So we ventured out at high tide, and when I say high I mean up around 6'. This meant a few things; for one there were these huge waves crashing to the back of the cave making for the best possible foreground you could have asked for. But it also meant getting out here was tricky and required a bit of patience and timing which was why we were the only ones out here. This was also shot during the epic sunset we had this past Sunday. This cave faces south which does not always get the benefit of a sunset burn, but on that night the sky lit up in all directions. This was shot right as the sky turned pink when I got a rushing wave roll through. I took tons of exposures as I thought I was going to have to blend them due to the huge dynamic range but I was able to pull shadows and recover highlights from a single RAW file. Yes files are bigger, but cards are cheap and there is much more data to work with in post. There's no reason not to shoot RAW nowadays. Definitely an experience and a shot to remember.


Nikon D750, Nikkor 20mm 1.8, f/8, 0.8 sec, ISO-250
 

Tuesday, June 30, 2015

Malibu fog pano

Malibu canyon fog pano

Here is the full pano from the shot I posted a week ago from Malibu. The mountain range provided an awesome frame for the fog covered city which lit up the fog with some awesome colors. This is a 3 shot horizontal pano all shot with the Nikon D750, Nikkor 20mm 1.8, 10 sec, f/2.8, ISO-1250.

www.bay-photography.com

Friday, June 26, 2015

LA Milky Way - Santa Monica Mountains

Milky Way over the Santa Monica Mountains from Malibu


Ever wondered if you able to capture the Milky Way in Los Angeles county? If you drive out west to Malibu or up in the Santa Monica mountains you can get some fairly dark skies and can faintly make out the MW core with your naked eye once they adjust to the darkness. Granted it won't be as dark as if you drive inland to the deserts but on the flip side YOU ARE IN LA COUNTY. This shot looks out south towards PCH and the ocean which are covered by a thick layer of fog. I framed a small part of the mountain range for some depth. The city pollution bleeds in from the left.
 
 
Nikon D750, Nikkor 20mm 1.8, f/2.8, 15 sec, ISO-2000
 
 

Thursday, June 25, 2015

Golden Girl - San Francisco

Moody Golden Gate Bridge shot in the rain

Keepin it in the Bay Area for this throwback. This was the first night I ever photographed this beaut with my dslr. She looks great in all conditions and in this case in the rain. My wife was holding the umbrella over the camera for me while I shot this. The golden glow is an awesome contrast against the dark stormy sky. One of my faves of her, need to get back up there for some more shots.
 
 
Nikon D7000, Nikkor 18-200@18mm, f/11, 30 sec, ISO-100

Monday, June 22, 2015

Tree of Life - Red Rock Canyon State Park

Tree of Life, Red Rock Canyon State Park


This is a shot I was envisioning the previous time we hit red rock canyon state park but I couldn't find any Joshua trees in the dark. During a return trip I hit this location first. Used a green glow stick to illuminate a sole Joshua tree with the Milky Way in the background.

Nikon D750, Nikkor 20mm 1.8, f/2.2, 20 sec, ISO-6400

www.bay-photography.com